← Back to lettersThe image obtained by us directly accesses the UEIN GAA EIMII (visualization screen), through an infinity of terminal cells of as many optical fibers, whose sections reach only a few terrestrial microns. In the visual perception of this image, neither the persistence of retinal images nor the psychological effect or PHI phenomenon known by terrestrial psychology specialists is involved. This source of information, which we could call "domestic," stores a copious amount of graphic documentation. You might think that in our XAABII or houses, we have a good library, albums of three-dimensional photographs, and music or words recorded on discs or tapes. Nothing could be further from the truth. The graphic material used on our planet is provisional and is only used in particular cases. We regret to disappoint Earth's graphic arts specialists, but on our UMMO, there is nothing similar to typographic composition processes, offset, heliogravure, or screen printing. Nor do processes that bear some similarities to xerographic reprography or the modern processes you use for electrostatic color projection (not to be confused with xerocopy) persist. However, we have never known linotypes. Our ancient devices differ quite a bit from the current flat machines, minervas (small printing machines), and large terrestrial rotary presses (read the accessory report). Photographs and moving images are stored encoded in the form of quantum states within a titanium crystal (we do not use the binary system but "duodecimal"). Drawings, once traced on special plates, are reproduced photostatically by a process different from those of UULODOO (photography: cameras). Handwritten texts are automatically decoded by transforming the clumsily traced lines into official characters of our language. Speech receives a double treatment. Phonemes are recorded in their original version to be reproduced later, as you can do yourselves on a tape recorder, but at the same time, the different voices or sounds are analyzed and transformed into readable official characters. Each of these intimate family documents is classified with a series of code numbers that allow them to be selected as needed. If one of our brothers wishes to read one of these texts or contemplate a sequence of moving images corresponding to an old family celebration, he goes to his UULODAXAABI, and in a part of the large spherical GAA (screen), he can read the text or contemplate the image. The second source of visual information is the XANMOO AYUBAA. This network, which covers all of Ummo, not only provides advice on scientific functions or offers its computing services or regulates the traffic of UEWA among other numerous services. It also sends all types of images to the inhabitants of XAABII (houses) from polygraphed texts to panoramic views of the beautiful polar regions. From reproductions of old historical documents to simple educational images for children's learning. From animated images (you would call them cinematographic) that occupy the entire GAA (hemispherical screen) corresponding to the process of manufacturing optical fibers in a factory located hundreds of KOAE away, to the vision of one of our children during the UAMII (meal) in the UNAWO UI (university colony). Moreover, the YIE (wives) can begin the sexual education of their children by offering through the UULODAXAABI a sequence of drawings or elementary images that show the reproduction process. We give much more importance to teaching through images than terrestrials do. The chromatic sobriety and forms in the drawings intended for early years' education are carefully calibrated. A drawing or a photograph that may satisfy a UUGEE (child) may be ineffective from a didactic point of view and even contraindicated for another. The little ones will become aware of the importance of reproductive functions by linking these concepts to the idea of the generation of WAAM by WOA (God). The child appreciates from early childhood the sublime nature of motherhood. He will begin to understand and think very early about the gestation process. The tenderness with which a child envelops his mother when she is in this state is a common reaction in childhood. 119 / 1373
Lettre Ummite#121